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    <loc>https://elizabethwphelps.com/blog</loc>
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    <lastmod>2018-04-15</lastmod>
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  <url>
    <loc>https://elizabethwphelps.com/blog/2017/4/23/peters-valley-anagama-firing-here-i-come</loc>
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    <priority>0.5</priority>
    <lastmod>2017-05-08</lastmod>
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      <image:title>News and Events - Peters Valley Anagama Firing - Here I come!</image:title>
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  </url>
  <url>
    <loc>https://elizabethwphelps.com/blog/2017/5/1/john-britt-cone-6-glazing-workshop</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-05-08</lastmod>
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      <image:title>News and Events - John Britt Cone 6 Glazing Workshop</image:title>
      <image:caption>John's Straw Ash Glaze test tiles; electric fast-fire (left); gas reduction (right); clay bodies left to right: mid-range porcelain, stoneware, beige stoneware, dark brown stoneware</image:caption>
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      <image:title>News and Events - John Britt Cone 6 Glazing Workshop</image:title>
      <image:caption>Group photo! Long Island Craft Guild workshop with John Britt, April 29 &amp; 30, Selden , NY</image:caption>
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  </url>
  <url>
    <loc>https://elizabethwphelps.com/blog/2017/5/8/support-the-visual-arts-at-oakwood-friends-school</loc>
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    <priority>0.5</priority>
    <lastmod>2017-06-01</lastmod>
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      <image:title>News and Events - Support the Visual Arts at Oakwood Friends School! - hooray!</image:title>
      <image:caption>Update, May 31: We were awarded the $1,000! Yipee! Deep, heartfelt thanks to all who participated in our campaign, as well as to the gofundme staff for choosing us as part of their #weloveteachers promotion!</image:caption>
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  </url>
  <url>
    <loc>https://elizabethwphelps.com/blog/2017/6/17/noborigama-firing-at-tony-moores-studio-in-cold-spring-ny</loc>
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    <priority>0.5</priority>
    <lastmod>2017-09-26</lastmod>
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      <image:title>News and Events - Noborigama firing at Tony Moore's Studio in Cold Spring, NY</image:title>
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      <image:title>News and Events - Noborigama firing at Tony Moore's Studio in Cold Spring, NY</image:title>
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      <image:title>News and Events - Noborigama firing at Tony Moore's Studio in Cold Spring, NY</image:title>
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      <image:title>News and Events - Noborigama firing at Tony Moore's Studio in Cold Spring, NY</image:title>
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      <image:title>News and Events - Noborigama firing at Tony Moore's Studio in Cold Spring, NY</image:title>
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    <image:image>
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      <image:title>News and Events - Noborigama firing at Tony Moore's Studio in Cold Spring, NY</image:title>
      <image:caption>This week I'm wood-firing 43 vessels for Plainsong Kico. They are glazed with Snow Cap Shino that fires as a mix of gray (in reduction) and white (in oxidation). Here are some of them lined up on the shelf in the kiln shed before the load-in. I'll post more pictures when I have my stoking shift on Thursday... And then pictures of the results at the July 1st kiln unloading! The firing lasts for three days, followed by a week-long long cool-down. May fire god Agni be kind to us. UPDATE: I got less ash and carbon trapping/ graying of the Shino than I hoped for, so the vessels are very subtle/ less tortured than last time. Also, everything that I fired as bisqueware shattered. The pieces that had already been fired to ^10, unglazed in the electric kiln, were fine. Images (left to right): my stoking shift - the first "kindling shift" in which we raised the temperatures of the fireboxes only by 20-30 degrees F per hour; aerial view of the successfully wood-fired pieces - some of the 36 survivors - you can see some ash glaze in the bottoms; part of the unloading day yield for all the firing participants; the cracking of my bisqueware - note that the shino glaze did not even fuse/adhere to the bisque. It pulled away (shivered) and the pressure of the different expansion/cooling rate of clay and glaze appear to have pulled apart/ fractured the vessels. Luckily only 7 of the vessels I fired were bisqueware.... Firings: always a learning experience!</image:caption>
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  <url>
    <loc>https://elizabethwphelps.com/blog/2017/7/3/floating-artivist-residency</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-07-24</lastmod>
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      <image:title>News and Events - Seachange Floating Artivist Residency</image:title>
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      <image:title>News and Events - Seachange Floating Artivist Residency - At the helm of Solar Sal, approaching Walkway Over the Hudson and the Mid-Hudson/FDR Bridge</image:title>
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      <image:title>News and Events - Seachange Floating Artivist Residency - Captain and Solar Sal designer and builder, David Borton</image:title>
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      <image:title>News and Events - Seachange Floating Artivist Residency - Haleh Liza, Kevin Buckland, Melissa Billington, and Johnny</image:title>
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      <image:title>News and Events - Seachange Floating Artivist Residency - Jayohcee at the Helm!</image:title>
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      <image:title>News and Events - Seachange Floating Artivist Residency - One of the many signs of fossil fuel infrastructure on the journey</image:title>
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      <image:title>News and Events - Seachange Floating Artivist Residency - Solar Sal on her way back up to Troy from Newburgh, July 23</image:title>
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  </url>
  <url>
    <loc>https://elizabethwphelps.com/blog/2017/9/24/summer-woodfirings-the-process-and-results</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-08</lastmod>
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      <image:title>News and Events - Summer Woodfirings!</image:title>
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      <image:title>News and Events - Summer Woodfirings!</image:title>
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      <image:title>News and Events - Summer Woodfirings!</image:title>
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      <image:title>News and Events - Summer Woodfirings!</image:title>
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      <image:title>News and Events - Summer Woodfirings!</image:title>
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      <image:title>News and Events - Summer Woodfirings!</image:title>
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      <image:title>News and Events - Summer Woodfirings!</image:title>
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      <image:title>News and Events - Summer Woodfirings!</image:title>
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      <image:title>News and Events - Summer Woodfirings!</image:title>
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      <image:title>News and Events - Summer Woodfirings!</image:title>
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      <image:title>News and Events - Summer Woodfirings!</image:title>
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      <image:title>News and Events - Summer Woodfirings!</image:title>
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      <image:title>News and Events - Summer Woodfirings!</image:title>
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      <image:title>News and Events - Summer Woodfirings!</image:title>
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      <image:title>News and Events - Summer Woodfirings!</image:title>
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      <image:title>News and Events - Summer Woodfirings!</image:title>
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      <image:title>News and Events - Summer Woodfirings!</image:title>
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      <image:title>News and Events - Summer Woodfirings!</image:title>
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      <image:title>News and Events - Summer Woodfirings!</image:title>
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      <image:title>News and Events - Summer Woodfirings!</image:title>
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      <image:title>News and Events - Summer Woodfirings!</image:title>
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      <image:title>News and Events - Summer Woodfirings!</image:title>
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      <image:title>News and Events - Summer Woodfirings!</image:title>
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      <image:title>News and Events - Summer Woodfirings!</image:title>
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  <url>
    <loc>https://elizabethwphelps.com/blog/2018/1/6/cracked-cups-and-kintsugi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-08</lastmod>
    <image:image>
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      <image:title>News and Events - Cracked Cup the Squirrel, Kintsugi, Grappling with questions of appropriation, and Ongoing prayers for the Water Protectors</image:title>
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      <image:title>News and Events - Cracked Cup the Squirrel, Kintsugi, Grappling with questions of appropriation, and Ongoing prayers for the Water Protectors</image:title>
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  </url>
  <url>
    <loc>https://elizabethwphelps.com/blog/2017/12/5/december-woodfiring-tony-moore-kiln</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-11</lastmod>
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      <image:title>News and Events - December Woodfiring! Tony Moore Kiln - all glazed</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/57aacd10f5e2314c509883a0/1512594661512-INMZZYZNIE2ECGKXJXB0/IMG_3172.JPG</image:loc>
      <image:title>News and Events - December Woodfiring! Tony Moore Kiln - thick snowcap shino and ash</image:title>
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      <image:title>News and Events - December Woodfiring! Tony Moore Kiln - I mud-sealed the noborigama door after load-in</image:title>
      <image:caption>with Jane Resnick! In whipping cold wind.</image:caption>
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      <image:title>News and Events - December Woodfiring! Tony Moore Kiln - load-in process in anagama</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/57aacd10f5e2314c509883a0/1512594675498-MW86L8A1K85IRJ95JXXN/IMG_3353.JPG</image:loc>
      <image:title>News and Events - December Woodfiring! Tony Moore Kiln - snakeskin on wood</image:title>
      <image:caption>headed into the incinerating heat</image:caption>
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      <image:title>News and Events - December Woodfiring! Tony Moore Kiln - peak temp in the noborigama</image:title>
      <image:caption>anagama didn't read quite this hot</image:caption>
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      <image:title>News and Events - December Woodfiring! Tony Moore Kiln - Tony Moore and me. Kiln all closed up!</image:title>
      <image:caption>Catherine Thomas took the photo.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/57aacd10f5e2314c509883a0/1512594688606-MZNHE7T1CZQRAROULU6J/IMG_3362.JPG</image:loc>
      <image:title>News and Events - December Woodfiring! Tony Moore Kiln - Kiln closed for cool-down</image:title>
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      <image:title>News and Events - December Woodfiring! Tony Moore Kiln - Tony's noborigama beauty.</image:title>
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      <image:title>News and Events - December Woodfiring! Tony Moore Kiln - my noborigama unload</image:title>
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      <image:title>News and Events - December Woodfiring! Tony Moore Kiln - inside the anagama</image:title>
      <image:caption>stoke portals and shelf construction</image:caption>
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    <image:image>
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      <image:title>News and Events - December Woodfiring! Tony Moore Kiln - three favorites</image:title>
      <image:caption>bopshin d (two on right) and carbon trap shino (left), fired in the anagama</image:caption>
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    <image:image>
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      <image:title>News and Events - December Woodfiring! Tony Moore Kiln - three from unload</image:title>
      <image:caption>Left: Mamo white in Noborigama - mostly they turned subtly purplish shades but this one came out a lovely light yellow! Middle: One of the snowcap shino experiments Right: Carbon trap shino in anagama</image:caption>
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    <lastmod>2018-04-05</lastmod>
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      <image:title>News and Events - Project Grant Award! Woo!</image:title>
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    <lastmod>2018-04-15</lastmod>
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      <image:title>News and Events - The Season's First Firing!</image:title>
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      <image:title>Poems - Catalog Cover</image:title>
      <image:caption>Thomas Lyon Mill's catalog cover for his 2015 exhibit The Catacombs, at Eastern Illinois University, features a detail from Shuron, 2002-2015. This is the painting which inspired this poem. Visit Thomas Lyon Mill's website.</image:caption>
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      <image:title>Poems</image:title>
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    <lastmod>2020-02-06</lastmod>
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      <image:title>Sculpture</image:title>
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      <image:title>Sculpture</image:title>
      <image:caption>Photo courtesy John Groo/ Real Art Ways</image:caption>
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      <image:title>Sculpture</image:title>
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      <image:title>Sculpture</image:title>
      <image:caption>photo courtesy John Groo/ Real Art Ways</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57aacd10f5e2314c509883a0/1493241950299-FMMYXLHURT0O3MVLIPO2/IMG_6328+copy.jpg</image:loc>
      <image:title>Sculpture</image:title>
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      <image:title>Sculpture</image:title>
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      <image:title>Sculpture</image:title>
      <image:caption>photo courtesy Steven Laschever/ Real Art Ways</image:caption>
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      <image:title>Sculpture</image:title>
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      <image:title>Sculpture</image:title>
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    <image:image>
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      <image:title>Sculpture</image:title>
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      <image:title>Sculpture - The Shaman's Flower</image:title>
      <image:caption>Plaster, Epoxy Putty, Flocking, Gouache, Watercolor, Graphite, Agar; 2012 This piece was used in my animation Shaman; 2012</image:caption>
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  <url>
    <loc>https://elizabethwphelps.com/social-practice-ceramics</loc>
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    <lastmod>2019-02-09</lastmod>
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      <image:title>Ceramics as Social Practice</image:title>
      <image:caption>The installation of the bowls at Metanoia, Real Art Ways, Hartford, CT., 2015-2016</image:caption>
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    <image:image>
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      <image:title>Ceramics as Social Practice</image:title>
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      <image:title>Ceramics as Social Practice</image:title>
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      <image:title>Ceramics as Social Practice</image:title>
      <image:caption>photo courtesy John Groo/ Real Art Ways</image:caption>
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    <image:image>
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      <image:title>Ceramics as Social Practice</image:title>
      <image:caption>bottom photo courtesy of John Groo/ Real Art Ways</image:caption>
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    <image:image>
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      <image:title>Ceramics as Social Practice</image:title>
      <image:caption>photo courtesy John Groo/ Real Art Ways</image:caption>
    </image:image>
    <image:image>
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      <image:title>Ceramics as Social Practice</image:title>
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      <image:title>Ceramics as Social Practice</image:title>
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      <image:title>Ceramics as Social Practice - Part 1: Newburgh 7/23/17</image:title>
      <image:caption>Photo credit: Rebecca Zilenziger</image:caption>
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      <image:title>Ceramics as Social Practice - Part 1: Newburgh 7/23/17</image:title>
      <image:caption>photo credit: Rebecca Zilenziger</image:caption>
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      <image:title>Ceramics as Social Practice - Part 1: Newburgh 7/23/17</image:title>
      <image:caption>Photo credit: Rebecca Zilenziger</image:caption>
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      <image:title>Ceramics as Social Practice - Part 1: Newburgh 7/23/17, preparing the space with sacred song</image:title>
      <image:caption>Song leader: Melissa Billington Photo credit: Rebecca Zilenziger</image:caption>
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      <image:title>Ceramics as Social Practice - Part 1: Newburgh 7/23/17, preparing the space with prayer songs</image:title>
      <image:caption>Song leader: Melissa Billington Photo credit: Rebecca Zilenziger</image:caption>
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      <image:title>Ceramics as Social Practice - Newburgh water ceremony: 7/23/17</image:title>
      <image:caption>Photo credit: Howard Meyer</image:caption>
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      <image:title>Ceramics as Social Practice - Part 1: Newburgh 7/23/17</image:title>
      <image:caption>Water for ceremony: from Lake Oahe/ Mni Sose sent by a friend from Standing Rock for the ceremony. Photo credit: Rebecca Zilenziger</image:caption>
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      <image:title>Ceramics as Social Practice - Part 1: Newburgh 7/23/17</image:title>
      <image:caption>Water for ceremony: from Cannonball River/ Inyanwakagapi Wakpa, sent by a friend from Standing Rock. Photo credit: Rebecca Zilenziger</image:caption>
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      <image:title>Ceramics as Social Practice - Roadside sign</image:title>
      <image:caption>off Bryson City Road, in Cowee, near the Cowee Mound</image:caption>
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      <image:title>Ceramics as Social Practice - Wedgwood Jasper Ware</image:title>
      <image:caption>This is the piece from 1780 that Edmund de Waal (author of The White Road) left with Jerry Anselmo when he visited Ayoree. Cherokee artifacts found by Mr. Anselmo in background.</image:caption>
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      <image:title>Ceramics as Social Practice - At Anselmo's Fishcamp and Safari</image:title>
      <image:caption>With Jerry and Sabina Anselmo</image:caption>
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      <image:caption>A section of my work site.</image:caption>
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      <image:title>Ceramics as Social Practice - Ayoree</image:title>
      <image:caption>close up showing exposed unaker with a weathered, degraded mass of biotite mica (on top)</image:caption>
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      <image:caption>close up showing unaker with black mica</image:caption>
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      <image:caption>close up showing unaker with red earth streaked on top</image:caption>
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      <image:title>Ceramics as Social Practice - Ayoree</image:title>
      <image:caption>As I picked at the face of the mountain the ground became layered with particles of all the minerals - clay, quartz, feldspar, mica</image:caption>
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      <image:title>Ceramics as Social Practice - A handful of earth</image:title>
      <image:caption>It was very difficult to catch and conserve the small pieces and particles of unaker clay. Using a seive underneath helped, but it was difficult to separate the smallest clay particles from the quartz sand. As I picked at the hillside, a great deal of clay like this ended up back on the ground.</image:caption>
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      <image:title>Ceramics as Social Practice - Biotite Mica</image:title>
      <image:caption>This mica forms beautiful black "blooms" on the surfaces of pottery when fired to high temperatures in reduction environments, such as gas or wood kilns.</image:caption>
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      <image:title>Ceramics as Social Practice - The minerals of Ayoree</image:title>
      <image:caption>Top to bottom: biotite mica, muscovite mica, kaolin/halloysite (left) and feldspar (right), quartz</image:caption>
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      <image:title>Ceramics as Social Practice - Mining tools</image:title>
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      <image:title>Ceramics as Social Practice - Mining tools</image:title>
      <image:caption>Gold sifting sieves helped me hand-sort by particle size. I gave the quartz and feldspar back to the site.</image:caption>
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      <image:title>Ceramics as Social Practice - Buckets filled after a work session</image:title>
      <image:caption>Filled only part way, I could manage to carry the buckets back down the steep hillside, to further sort the materials and lay the chunks of unaker clay out to dry.</image:caption>
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      <image:title>Ceramics as Social Practice - Laying out to dry</image:title>
      <image:caption>The chunks of unaker were quite waterlogged coming off the hillside. They had to dry for a day in the hot sun before further sorting and packing into bags.</image:caption>
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      <image:title>Ceramics as Social Practice - Night work</image:title>
      <image:caption>At night I would hand sort smaller particles in the sieve, removing the clay from quartz and feldspar.</image:caption>
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      <image:title>Ceramics as Social Practice - Stone soup</image:title>
      <image:caption>A pot full of minerals, mostly quartz, from Ayoree. I'm picking out the few remaining bits of unaker before calling it a night.</image:caption>
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      <image:title>Ceramics as Social Practice - Saying thank you and goodbye</image:title>
      <image:caption>Parting gratitude</image:caption>
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      <image:title>Ceramics as Social Practice - Shipping time</image:title>
      <image:caption>I brought all my bags to FedEx in Franklin. Because there are so many gem and mineral shows in Franklin, the guys there are accustomed to shipping rocks.</image:caption>
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      <image:title>Ceramics as Social Practice - Professional packing</image:title>
      <image:caption>The Franklin FedEx team did a first-rate job packing and all the unaker and a bag of biotite mica made it safely back to Poughkeepsie!</image:caption>
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      <image:caption>Installation of Colornests, at Richard and Dolly Maass Gallery, School of Art + Design, Purchase College SUNY, Purchase, NY, May, 2014</image:caption>
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      <image:title>Moving Images</image:title>
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      <image:title>Moving Images</image:title>
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      <image:title>Moving Images</image:title>
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      <image:title>Moving Images - If the Eye Never Sleeps</image:title>
      <image:caption>video/ stop-motion animation; 5 min., 44 sec.; 2011</image:caption>
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      <image:caption>video/ stop-motion animation; 3 min., 23 sec.; 2012</image:caption>
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